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- What's your favorite genre of music?
- any kind that's quality & has a good groove
- What makes a good club night?
- great music, a DJ who actually knows how to read the crowd, cool people in the venue, solid sound system
- Referred by:
- DJ Fathom
BlackRadioIsBack.com/FuseBox Radio Broadcast Information
In the past few years, the term, mission and mentality of "Black Radio" in the United States has been at the very least ignored and that the worst, totally disregarded, disrespected and shunned.
In my mind, Black Radio at its best is & will always be the format that brings to listeners:
1. A balanced combination of diverse & interesting music in multiple formats – after all Black Radio was the format that first exposed Jazz, Funk, Soul, Blues, Rock Music - yes, Rock and Roll has Black American musical foundations - do the history, Gospel and Hip-Hop music to the masses.
2. A quality mix of news, interviews and commentary to the Black American community (and to anyone else interested) - editorial, political, health, social, etc.
3. A mission to truly connect with its listener community on multiple fronts Black Radio, in most of the mainstream airwaves, has been taken over by what's called "urban radio", "contemporary urban radio", etc.
It seems that with this format, what most stations, radio hosts and mixers do is keep things in a very narrow vision of what the Black American cultural experience is supposed to be like and how its represented - basically, watering things down.
For example:
* When you hear the same joint for the 1,000,000th time on the radio and you know the artist has an album release (or multiple releases) out that you can at least TRY to hear more tracks from before a 3 month period OR you always hear the same music artists in constant rotation = NOT quality Black Radio
* When "Old School" music is defined as being from 5 years ago and/or not acknowledging music from the past = NOT quality Black Radio
* When there is only one viewpoint of what Black America and Black Americans represent (either straight 24-7 criminality without consequences or creativity or only the civil rights generation is great with everyone else not under that being subpar) = NOT quality Black Radio
* Putting on the same sound effect and/or screaming over 10 times in a row for a 3 minute song that is not even hot = NOT quality Black Radio
This list can go on for days…
BlackRadioIsBack.com will have music audio & videos from all over the world along with reviews (for both mainstream and independent artists), written and audio interviews with various folks in the community (music artists, authors, businesspeople, activists, etc.), book, magazine and movie reviews and editorials.
BlackRadioIsBack.com will also be a location where others who are promoting the spirit of Black Radio will also be represented and highlighted.
I hope that everyone enjoys the site and gets stimulated by the true Black Radio Experience!
Peace,
Mary Nichols (DJ Fusion)
Founder, BlackRadioIsBack.com
FuseBox Radio/FuseBox Media LLC
Hustle Squad DJs/Future Star DJs/Lord Gang DJs/Thump Nation DJz/Wu-Tang Needlebreakerz/Slip N Slide DJs/Sniper Squad DJs/The Fleet DJs/Coast 2 Coast DJs/Mixshow Blast DJz
_________
DJ Fusion is a Proud Member of the Following DJ Crews/Squads:
FUSEBOX RADIO BROADCAST MUSIC SUBMISSION INFORMATION:
WE ALWAYS ACCEPT MUSIC FOR ROTATION FOR THE RADIO SHOW - PLEASE FREE TO SUBMIT MUSIC TO THE SYNDICATED FUSEBOX RADIO BROADCAST VIA MP3 (RADIO EDITED/CLEAN VERSIONS IF POSSIBLE), PRESS RELEASES & E-MAIL CORRESPONDENCE FOR THE RADIO SHOW, FOR ARTICLE WRITEUPS, ETC. TO:fuseboxradio@gmail.com
POSTAL MAILING ADDRESS TO SEND MUSIC, PROMOTIONAL MATERIALS, MAGAZINES, BOOKS FOR REVIEW, ETC. TO FOR THE FUSEBOX RADIO/BLACKRADIOISBACK.COM/FUSEBOX MEDIA LLC:
Mary Nichols (DJ Fusion) c/o FuseBox Radio/BlackRadioIsBack.com P.O. Box 2465 Waldorf, MD USA 20604-2465
We Play Music on the FuseBox Radio in ALL of these Genres (its about more then just Hip-Hop & R&B constructs of regular ol' "Urban Radio"):
1. Hip-Hop/Rap 2. Soul/R&B 3. Rock (esp. Black Rock) 4. Funk
5. Jazz
6. Poetry/Spoken Word
7. House
8. AfroBeat
9. Blues
10. Electronica
11. Reggae
12. Go-Go
The Official Twitter Page of DJ Fusion of the FuseBox Radio Broadcast & BlackRadioIsBack.comhttp://www.twitter.com/fuseboxradio
__________________________
** Official Websites for FuseBox Media LLC, Home of DJ Fusion, Jon Judah & The FuseBox Radio Broadcast AND BlackRadioIsBack.com **
FuseBox Radio Podcast - Updated Weekly with New & Up-To-Date Podcasts
___________________
The FuseBox Radio Broadcast is currently syndicated in the following Media Outlets (as of February 2010), as well as being accessible via podcast:
UrbanNetwork.com's The Mix Internet Radio Station - UN Power Jam Radio (owned by Urban Network Magazine) (Saturdays 11 PM - 2:30 AM EST) Radio CPR (Thursdays, 7 - 9 PM EST with the "FuseBox Radio: Capital Mixdown" Live MixShow) OKRP.com (Fridays 1- 4 PM EST & 9 PM - Midnight EST) ReeWineMusic.com/ReeWine Radio (Tuesday, Thursday & Friday 8 - 11 AM EST)
Progressive Blend Radio (Saturdays & Sundays 12 - 3 AM EST)
Sprint Radio Extra/mSpot (via the Worldwide Alpha Communications Network) (On Demand)
SouthBound.FM (Time TBA - rescheduling)
DeadBeat Radio (Sunday 3 - 5 PM EST)
CrackAudio.com (On Demand)
TheBestJams.com/The Best Jams Radio (Time TBA - rescheudling)
FlyTunes.FM/FlyCast (On Demand)
Planet Urban (Austrailia)/PlanetUrban.com.au (On Demand)
AmalgamDigital.com (On Demand)
BlockJams.com (On Demand)
ConspiracyUK.com (Friday Night/Saturday Morning, 12 - 2 AM)
FONYE Radio (Thursdays, 12 - 2:30 AM EST)
VI Radio (Sunday Night/Monday Morning 12 - 2 AM EST & Friday Night 9 - 10 PM EST)
DurdeeSouthRadio.com (Re-Broadcast/On Demand)
Beyond.FM (On Demand)
MyBlockRadio.net (Mondays 2 - 5 PM EST)
Rutgers University Radio, WRSU 88.7 FM (currently on hiatus)
Stop Beefin' Start Eatin' Radio (On Demand)
Ceesiety Radio (Sundays 4 - 7 pm EST)
907 Jamz (Saturdays, 9 PM - 12 AM EST)
The6.FM (Sundays, 5 - 8 PM EST)
Nilo Radio (Weekly, 10 PM - 1 AM EST)
True Fire Radio (Sundays, 7 - 10 PM EST)
1.FM Jamz (Thursdays, 9 PM - 11 PM EST)
StreetsD.com (Streets Mos Magazine Radio)
Mixshow Blast Radio (TBA - Rescheduling)
UnderWorldMixRadio.com (TBA - Rescheduling)
Blayze University Radio (On Demand)
Slip-N-Slide DJs Podcast (On Demand)
ExtravaGangsta Radio (On Demand)
HipHopSoulRadio.com (Thursday 8 - 11 pm CST)
WSOUF.com (Sundays, 9 pm - 12 AM EST)
Digiwaxx Presents: The Blast (On Demand)
White Folks Get Crunk for DJs (On Demand)
Legion Music & Media (On Demand)
MixLaWax Radio (On Demand)
Trunk Hustlers Online (On Demand)
Blip.TV (On Demand)
HipHopHoney.com (On Demand)
iBlog126.com (On Demand)
Miro (On Demand)
Black Soul Rhythms (On Demand)
Honey Magazine (On Demand)
The PRess Junkie (On Demand)
Soul Pitch Hustle (On Demand)
i95.FM (On Demand)
iBlog126.com (On Demand)
Rock The Dub (On Demand)
Last Word Online (On Demand)
Ground Up Radio (On Demand)
Planet Ill (On Demand)
BlackCoffeeChannel.com (Coming Soon)
Gutta Muzik (HD) Radio (Coming Soon)
** Most Stations/Outlets Tracked via RadioWave Monitor, Mediaguide & SoundExchange **
We Are A Fusicology Listed Radio Show To Check Out!
** SOME ARCHIVED SHOWS ARE AT UNSIGNEDHYPE.ORG & DIGABLERECORDS.COM **
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SUBSCRIBE TO & CHECK OUT THE FUSEBOX RADIO'S OFFICIAL PODCAST & SHOW ARCHIVES ON YOUR MP3 PLAYER OR YOUR MOBILE PHONE BELOW:
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MINI-BIOGRAPHY OF DJ FUSION & THE FUSEBOX RADIO BROADCAST (UPDATED: February 2010): Umm, OK....I'm DJ Fusion (real name: Mary Nichols), a short (5 feet tall even), above average looking (I think at least a "B", even if a low one....) African-American female DJ who is a graduate of Rutgers University (c/o 2001; Rutgers College) with a degree in American Studies and a minor in History.
I'm a Radio, Mixtape & Club DJ, with my main music focus being in the genres of Hip-Hop, Breakbeats, Reggae, Funk, Acid Jazz, Soul, House, Disco, DC GoGo, Electronica, Rock and Classics - Black Music in general, both independent and mainstream.
Since its foundation in 1998 - when I created the show as an undergraduate student at Rutgers University - New Brunswick in New Jersey - the syndicated FuseBox Radio Broadcast has been around to expose the absolute BEST of Hip-Hop & Soul Music from all over the world (and Black Music in general) along with bringing quality interviews, news, and commentary. Along with fellow co-host/DJ/Producer/Partner Jon Judah (added on as part of the FuseBox Radio crew in 2004), we try our best to stick to that mission and bring great sounds, vibe and content to the masses - what Black Radio (not "Urban Radio") was/is all about.
From it's roots at Rutgers University Radio (WRSU 88.7 FM), the syndicated FuseBox Radio Broadcast is a 3 hour mixshow that has spread to the following internet radio stations and outlets (as of February 2010):
UrbanNetwork.com's The Mix Internet Radio Station - UN Power Jam Radio (owned by Urban Network Magazine), OKRP.com, ReeWineMusic.com/ReeWine Radio, Progressive Blend Radio, MixLaWax Radio, StreetsD.com (Streets Mos Magazine Radio), Trunk Hustlers Online, 907 Jamz, The6.FM, Nilo Radio, 1.FM Jamz, Blayze University Radio, Blip.TV, HipHopHoney.com, iBlog126.com, True Fire Radio, Miro, WSOUF.com, TheBestJams.com/The Best Jams Radio, FlyTunes.FM/FlyCast, HipHopSoulRadio.com, Digiwaxx Presents: The Blast, White Folks Get Crunk for DJs, Planet Urban (Austrailia)/PlanetUrban.com.au, Sprint Radio Extra/mSpot (via the Worldwide Alpha Communications Network), The Best Jams, ExtravaGangsta Radio, SouthBound.FM, DeadBeat Radio, CrackAudio.com, AmalgamDigital.com, BlockJams.com, ConspiracyUK.com, FONYE Radio, VI Radio, DurdeeSouthRadio.com, Beyond.FM, MyBlockRadio.net, Rutgers University Radio, WRSU 88.7 FM (currently on hiatus), Stop Beefin' Start Eatin' Radio, Ceesiety Radio, Mixshow Blast Radio, Slip-N-Slide DJs Podcast, Legion Music & Media, UnderWorldMixRadio.com, Rock The Dub, Last Word Online, Soul Pitch Hustle, Black Soul Rhythms, Honey Magazine, The PRess Junkie, I95.FM, Ground Up Radio, Radio CPR 97.5 FM (FuseBox Radio: Capital Mixdown Show), PlanetIll.com, BlackCoffeeChannel.com (Coming Soon), Gutta Muzik (HD) Radio (Coming Soon)
The syndicated FuseBox Radio Broadcast also a broadcast partner with journalist Glen Ford's Black Agenda Report (http://www.BlackAgendaReport.com) and the HBCU (Historically Black College and University) Radio Network's Direct EFX (http://www.myspace.com/directefx101) to bring extra syndicated programming segments of news, entertainment and commentary.
Under the business, FuseBox Media LLC, I also engage freelance article writing for various Internet and paper publications and do various music projects (music production, mixtape hosting & production, etc.).
The official blog of the FuseBox Radio Broadcast was established in October of 2007, BlackRadioIsBack.com (http://www.BlackRadioisBack.com). BlackRadioIsBack.com is a written extension of the radio show and contains things such as music, book and movie reviews, editorials, world news highlights and more.
The main areas I have done live DJ sets and events have been in the New Jersey, New York City, Philadelphia & DC Metro areas. Some of the clubs, lounges and stores where the FuseBox Radio Broadcast has represented include SOBS, the National Black Theatre in Harlem, the Bowery Poetry Club, Nuyorican Poets Cafe, Barnard College @ Columbia University, Rutgers University, Club Platinum, Rebar Lounge, D'Palace, African Globe Studios, Flava Lounge, Hunter College, NY Brands Clothing Store, Laila Lounge, Halcyon, 169 Bar, The Court Tavern, the C-Note, DJ Hut and the Remote Lounge, amongst others.
During my student history, I was a part of lining up shows for various student organizations at Rutgers University - New Brunswick and non-profit organizations for Hip-Hop Artists, Authors, Lecturers, etc. to get exposure, including being the President & one of the co-founders of the Rutgers University Student Community of Hip-Hop (aka RUSCH, the 1st Hip-Hop organization @ Rutgers University) from August 2000 - August 2002.
Since 1998, I have also been a part of the African New Dawn Radio Broadcast staff at Rutgers University Radio (WRSU 88.7 FM) with Alvin Fair.
So for all of my Music Artists, Businesses, Authors, Directors and just people in general, if you want to:
1. Find Out How To Get Some of Your Music Played & Charted on the syndicated FuseBox Radio Broadcast 2. Collaborate on a FuseBox Radio/BlackRadioIsBack.com Mixtape Project with DJ Fusion and/or Jon Judah (Hosting and/or Mixing)
3. An Article and/or Review to be Written About You, Your Project(s) or Events in BlackRadioIsBack.com
4. To Arrange An Interview on the syndicated FuseBox Radio Broadcast and/or BlackRadioIsBack.com
5. Get Quality Music Production via FuseBox Media's Music Division, FuseBox Beats
6. Book the FuseBox Radio/BlackRadioIsBack.com DJ Squad for Your Upcoming Event(s)
7. Be A Sponsor of the syndicated FuseBox Radio Broadcast, BlackRadioIsBack.com (Monetary and Non-Monetary Options Are Available)
8. Just Want to Build!
Reach Out! :)
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SOME PAST, PRESENT & FUTURE MIXTAPE PROJECTS THAT HAVE BEEN MIXED, HOSTED OR HAD INTERVIEW SEGMENTS BY DJ FUSION & THE FUSEBOX RADIO/BLACKRADIOISBACK.COM FAMILY - MOST ARE AVAILABLE AS FREE DOWNLOADS AT DATPIFF.COM & OTHER MUSIC WEBSITES (just search for "DJ Fusion", "FuseBox Radio" and/or "BlackRadioIsBack.com")!:
Mary Nichols (DJ Fusion)/BlackRadioIsBack.com/FuseBox Radio's Blog
FuseBox Radio Broadcast for Week of February 24, 2010
Posted on March 8, 2010 at 5:53pm —
FuseBox Radio Broadcast for Week of February 17, 2010 with Money B (of Digital Underground & Mandatory Muzic) Interview
Posted on February 22, 2010 at 8:59am —
FuseBox Radio Broadcast for Week of February 10, 2010 with Independent MC Nervzeen Interview
Posted on February 12, 2010 at 8:28am —
FuseBox Radio Broadcast for Week of February 3, 2010
Posted on February 12, 2010 at 8:28am —
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Top 10 Blocks of the Season
Top 10 Dunks: Sprite Slam Dunk Showdown
N'DAMBI
N'dambi's debut Stax Records release, "Pink Elephant" in record stores and on internet NOW.
N'dambi (meaning most beautiful) is a singer/songwriter/musician from Dallas, Texas. She has who has three independent albums; Little Lost Girls Blues, Tunin' Up & Cosignin and the Japanese album A Weird Kinda Wonderful. N'dambi has performed throughout the USA and Europe as well as in Japan and East Africa. Her press features include top publications including Vogue, Elle, Vibe, Essence, Harper's Bazaar, etc. Look for N'dambi's upcoming debut Stax Records release, Pink Elephant in 2009.
Soul music has produced some serious truth tellers in its most glorious past. Finding the conviction to pursue our fondest dreams and the courage to face-up to our darkest truth is perhaps the artist’s greatest challenge. Pink Elephant, the long-awaited Stax Records debut from stirring soul singer N’dambi, explores the art of revelation. “I want to write about the elephant in the room,” she explains of her third U.S. release. “They see her but refuse to acknowledge or talk about her, let alone confront her. That’s why I’m here.”
Pink Elephant was recorded in Santa Monica, California, with producer Leon Sylvers III, whose credits include work for Shalamar, Blackstreet, Gladys Knight, The Whispers, Lakeside and many more. N’dambi insisted the record have a modern sheen yet adhere to the sturdy influence of classic R&B and soul artists like Slave, Heatwave, Michael Jackson, Betty Davis, Isaac Hayes, Smokey Robinson, and The Sylvers. That led her to The Sylvers’ famous producer, big brother, Leon. Working in the studio with the veteran producer forced her to dig deeper than she had before, pushing her voice into a higher register on some tracks while layering her molasses-drenched vocals into cushy multi-part harmonies on others.
N’dambi’s purposeful songwriting offers the listener detailed lyrical snapshots largely created from observations, rather than her own life. “Sometimes I write from my experience, but mostly I use my imagination to express myself through story telling,” she explains. “I think of the place, the time, the setting of a story, and invent a situation that shines a light on a particular issue or theme. They are rarely from my own life. More often, they’re someone else’s story.”
The striking singer’s storytelling skills are at peak form on Pink Elephant with tunes like the Rod Temperton, ‘80’s hip-hop flavored “Nobody Jones,” the story of a girl with big dreams who won’t let her humble beginnings stop her, and the delicious “L.I.E.,” a tale of a man living a double life along New York’s Long Island Expressway. Delusions of love spring up in the old school, love-gone-wrong melodic funk of “Daisy Chain”; “Ooo Baby,” is the smooth-grooving tale of reconnection with a former lover; while the blues-inflected “Imitator,” finds a young woman suffering over the collapse of her lover’s promises. “You’re not the man I used to know, you’re an imitator,” she sings on this mid-tempo urban gem. The hope of true love cries out in “The One,” a disarming jazz-tinged ballad kissed with a touch of classic Stax.
The album’s lead single “Can’t Hardly Wait,” is a biting chunk of scorching sarcasm delivered in the commanding singer’s rich tone. Her opening complaint, “I don’t know why I keep f***in’ wit you,” perfectly expresses the inability to turn a listless love loose. “It’s about being in a relationship that has gone awry,” N’dambi explains. “She knows good and well way before now that it’s no good, but she can’t get over the hump enough to get out of it.”
“Mind Blowin’,” a love song to the art and craft of music itself, features elements inspired by Isaac Hayes’ 1974 classic blaxspoitation film Truck Turner, primarily channeling the supreme swagger those films represent. She sings and performs her own drum beats on the irresistible “The World Is A Beat,” a percussive and pointed lament about the current state of the music business.
The daughter of strict Baptist ministers in Dallas, Texas - only two kinds of music were allowed in N’dambi’s house – gospel and country. Church was the center of the family’s life in every way and there was no middle ground. Secular music was forbidden, but its irresistible allure eventually trickled into her life and began impacting the maturing young singer. Blessed with a deep contralto, N’dambi became especially enamored with the male singers from the ‘70s and ‘80s she’d heard and identified with while hanging out with cousins and friends. The funky soul of Bar-Kays’ Larry Dodson, the sophisticated syncopation of Earth, Wind & Fire’s Maurice White and the notorious abandon of the Ohio Players’ Sugafoot influenced her heavily. Later, the mysterious, uninhibited imagination of Nina Simone and Mahalia Jackson also became musical and cultural touchstones.
Her independent streak led to college and a degree in English and creative writing from Southern Methodist University. Her developing, expressive voice, the poetic irony of her skillful writing ability and her musicianship as a classically trained pianist spurred N’dambi’s musical ambition. N’dambi sang back-up and collaborated with another rising soul seeker, Erykah Badu all the while honing her artistry and slowly building a fiercely loyal fan base that resonates with the organic, authentic approach to her life and music.
N’dambi delivered her debut solo CD Little Lost Girl Blues in 1999. Since then she has released the two-disc set Tunin' Up & Cosignin', and the 2005 set A Weird Kind Of Wonderful, which was released only in Japan. On Pink Elephant, N’dambi ingeniously distills soul-deep inspiration into a sensual style of elegance and power, making her a fundamental new addition to the Stax legacy.
Learn more about N'Dambi at www.ndambionline.com or www.myspace.com/ndambi
Upcoming Shows
Aug 17 2009 9:00P
Busboys & Poets (In the Artist’s Studio)
WASHINGTON, Washington DC
Aug 31 2009 8:00P
Ginger Bay
Hollywood, Florida
Sep 4 2009 7:00P
Majic 1075/975 Outdoor Concert Series in Suwanee
Suwanee, Georgia
Oct 30 2009 8:00P
Muse Café Theater- Black Academy of Arts and Letters
Dallas, Texas
Oct 31 2009 8:00P
Muse Café Theater- Black Academy of Arts and Letters (2nd show)
Dallas, Texas
LIST OF HOT NEW RECORDS ON THE NEW CD
"Pink Elephant"
1. L.I.E. 4:43
2. What It Takes 3:30
3. Nobody Jones 4:18
4. Ooo Baby 5:10
5. Mind Blowin' 3:34
6. The One 4:48
7. Take It Out 4:10
8. Daisy Chain 3:52
9. Can't Hardly Wait 4:26
10. The World Is A Beat 4:08
11. Imitator 4:56
12. Free Fallin' 3:20
CLICK LINK TO PURCHASE NEW MUSIC FROM N'dambi
http://www.concordmusicgroup.com/albums/Pink-Elephant/
DJ NEW YORK CITY KEN
INTERNATIONAL DJ/RECORD POOL PROMOTIONS
310-229-5313
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Christopher Bonner began his singing career at the tender age of ten at the “Artistic Studio School for Performing Arts”, with the assistance of his mother (Gwendolyn Bonner). While at this facility he trained in the following areas, vocal performance, Hip-Hop dance, and Acting. He has performed several places and has done several “None Profitable Events” that involved raising money for various organizations such as Race for the Cure and S.C.A.N. (Sports, Cardiovascular, and Wellness Nutritionist of America). Currently a member of the Black Reparatory Company, located in Winston-Salem, North Carolina, also known as “The Little Theater” in December 2006 he deputed in the nationally acclaimed musical entitled “The Black Nativity”- by Langston Hughes, under the direction of Mabel Robinson- (Black Reps Artistic Director- resume includes assistant choreographer for 1978 movie The Wiz) which was truly a success, Mr. Bonner also debuted in Broadways longest running musical nationally and internationally acclaimed “Smokie Joe’s Café-2007” as Michael, under the direction of Mitchell Sommers- Theatrical Director of CTG (Community Theater of Greensboro). Mr. Bonner dazzled the audience with three –months, ninety shows of his smooth dance steps and melodious, soulful voice. While working hard at his academic endeavors at “Winston-Salem State University” as a fourth year Music Business Management and Merchandising major with a concentration in Vocal Performance, Bonner plans to soon become a professional vocalist, song writer, and composer. Mr. Bonner is currently interning for Hidden Beach Records, a label that host artist such as Jill Scott and BeBe Winans. At Hidden Beach, Mr. Bonner works in the Artist & Repertoire department with event planning, strategic marketing and much more. Mr. Bonner has already made an impact in the Triad area and abroad with his Debut CD entitled “I’m Ready” not to mention his recent return from Carnegie Hall as he and other members of the WSSU choir performed John Rutter’s- Requiem. He’s currently writing his own lyrics and music to fabulous tunes such as “I Wanna Be”, “Everything”, and many more. He has appeared in the “Winston-Salem Journal” and “The Chronicle” on numerous occasions for his soulful singing. His main goal is to continue to allow God to mold, shape and brake him so that he may remain focused with his career endeavors.
Most recent performances:
Black Nativity-2008, North Carolina Black Reparatory Company, Mabel Robinson- Director
Carnegie Hall-2008 DWalla Simmons Burke-Choral and Vocal Director
Winston-Salem Symphony- Gospel Extravaganza- 2008 DWalla Simmons Burke-Choral and Vocal Director
Smokie Joes Café-2007, CTG (Community Theater of Greensboro)- Mithchell Sommers-Director
Dont Bother Me I cant Cope 2008- North Carolina Black Reparatory Company, Mabel Robinson- Director
Contact Information
Christopher Bonner
269 Glen Eagle Dr.
Winston-Salem, North Carolina, 27107
Phone Contact: 336.608.2081
Email: Cbonn516@wssu.edu
MUSICWARRIOR2005@YAHOO.COM
Occupation:
VOCALIST
Companies:
North Carolina Black Reparatory Company Winston Salem State University Wake Forest University Barn Dinner Theater Winston-Salem Arts Council
Schools:
WINSTON SALEM STATE UNIVERSITY-MUSIC BUSINESS-CONCENTATION IN VOCAL PERFORMANCE
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